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Call for EntriesDeadline for entries: Jun 24th 2026 |
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Member Entriesemail: gene@sasseartmuseum.org or call Gene 909-941-3993 for information |
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| Eligibility: Open to all artists globally | |||||
Introduction: Please note that Ah, Color! is a catalog publication only and does not include a live exhibition. Sasse Museum catalogs reach collectors, educators, and arts professionals in over 50 countries, a global audience that no single exhibition can match. |
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Important Dates |
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About the Catalog Category Winners |
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Past Exhibition Catalogs |
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Submission Details |
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Entry Fees - All submissions non-refundable Maximum of 12 entries per artist Museum Members Member Submission Process: Info at top of this page |
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| If your not a member use this link to join we would love to have you part of our family. | |||||
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Submission Link: |
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Jurors Patrick Dennis is an American oil painter based in Cambria on California’s Central Coast, where the landscape feeds his abstract work. He has also lived in Oregon, Tennessee, Florida, Georgia, and Washington D.C. A father and grandfather, he has been a musician, restaurateur, teacher, museum specialist, gallerist, lobbyist, and founder of thirteen art festivals. He approaches painting as an intuitive process, continually testing his perceptions and refining his skill. Whether the subject is a stark environment or the press of the urban on the natural, his eye reads the world as composition. Fred Hartson began his creative path in second grade, when early recognition for his drawing set him on a lifelong course. With a degree from the Art Center College of Design and more than forty years in the field, he has worked as an art director, graphic designer, and educator. His career centered on commercial art, but his heart always leaned toward fine art. He has worked in painting, sculpture, and photography, and recently turned to digital paintings built from his own photographs. His work has been shown in galleries across California and Oregon. Jonathan Puls is a visual artist whose drawings and paintings grow out of his life and surroundings in Southern California. Working consistently from direct observation, he produces field drawings and paintings that stand on their own and also serve as source material for studio work. His studio compositions move through autobiographical, emotional, and spiritual terrain. Puls is deeply engaged with art history, and his paintings often enter into direct conversation with significant works from America, Europe, and East Asia, carrying those exchanges into the visual language of the present. |
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